Or the goose that laid golden eggs. I’m not sure if the goose itself has to be golden.
- Identify an IP you have or that you can obtain that has a history of success, either in viewership or box office or sales.
- Look at the market research for the built in audience and discover what the characteristics of these fans might likely be or have been and how your demographic is perceived.
- If this core potential customer was of high school age in the 1980’s, ignore their value in evangelizing the brand to younger family members or students or their sphere of social media influence because after all they are middle aged or older and irrelevant and on their way to the grave.
- If these be white or Caucasian, remember that they are the devil and if your new iteration of something includes even the same percentage of racial diversity as the original you can preemptively call them racists to shade their objections. If they are male and heterosexual, call them bros or sexists or ‘phobes because that will cause a meaningful soul-searching on their parts most certainly.
- On your site, under any announcement or trailer, be sure to curate the comments so that reasonable and articulate objections to a proposed film or show or product are deleted as much as possible and what is left are the outlier comments from twelve-year-olds or carelessly vile and profane people that you can hold up as ambassadors from the movement against your “deconstructionist” initiative.
- Disregard as “toxic fandom” any essay or review from outlets like Midnight’s Edge, Red Letter Media, or any loose network of influencers who use the hashtag “Fandom Menace.”
- Be sure to have someone ask directors, writers or actors if they can imagine the brand or IP being led by someone or subject matter that currently has nothing to do with it or that would interact strangely with other ingredients and confuse the palate. For example, if your movie takes place entirely in a desert, have someone from an aqua fitness magazine ask why there is no swimming scene. It will help force affirmative answers and steer the expectations of the audience – or at least the vocal activists on Twitter – and force eventual progress. A mix of water and sand can be malleable, constructive mud. If you are from pink news and ask Donald Glover whether his young Lando Calrissian is a pansexual or fluid, being young and hip he will answer in the affirmative. Never mind that the following year grown up Lando Billy Dee Williams will give a polite answer that is misinterpreted to a point where he has to bluntly say, “What the hell is gender fluid?” By then, the macho fans who like smooth ladies’ man Lando have already been turned off by the affirmative iteration.
- What’s in a name? Be sure to ask whether a new character can piggy-back on a brand even if the name doesn’t fit. Asking Steven Spielberg if there could be a female Indiana Jones results in, “Sure. She would have to be Indiana Joan.” You can let the “toxic” fans chime in as to whether Robert Zemeckis already gave us Joan Wilder in Romancing the Stone and its sequel. Ask if James Bond can become Jane Bond or if he can be gay, without concern for how the love interest scenes will play and the abandonment of Play boy lifestyle appeal, you will most likely get a yes from every actor who played the part and most creatives because they can always chalk up the status quo to exhibitor indifference.
- Dump a lot of money into the production values and try to rope in some celebrities at least for cameos. This will ensure that when the whole thing sinks it sinks deep. Make sure you have many pilot fish “producers” making money on the mere fact that something started shooting, regardless of their limited involvement.
- Completely rely courting only the new fan that hypothetically fits your idea of what a viewer or consumer should be, and depend on the idea that people who post on social media are also the same people who rush to see content from that franchise and buy merchandise and will put their money where their collective mouth is to bolster this variant that was “made for them” and not made for the old and irrelevant former fans it proudly trolls. Or the trolls being trolled. (All critical customer and market feedback is to be deemed as trolling, so it can be disregarded.)
- Clamp down on any actor – especially one who is notably liberal and progressive – who is critical of the new iteration of a character or disappointed by the direction of the story. This might spoil the narrative that only right-wingers and fuddy duddies and latent serial killers complain about changes.
- If it ain’t broke, fix it. Fix it like fixing a dog.
Print this out and keep it in your pocket for reference to make sure you are on track to run your career and spend, spend, spend like the most privileged, rich, white producers and studio bosses at the wine and cheese.